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The Host
features former members of Levelnine and Dropshadow.
What lead to the demise of those two bands?
TIM: As far as Dropshadow goes, it was your typical tug-o-war of
musical direction; a lack of live shows counter-balanced by too much
time spent writing new material and changing our music style. I think
our fans felt that we changed too quickly and too often. We were also
very young when Dropshadow was formed, I just don't think it was ever
meant to last. We grew out of it.
CHRIS: I think in our
case it was just a lack of interest from our guitarist. We had just
written some amazing new material and we were ready to jump in a big
way, and he just wasn't ready for that. So we went our separate ways.
How do you
feel The Host differs from your past projects?
TIM: I think it's more mature, a thousand times more accessible,
and at times it's even enjoyable to listen to.
CHRIS: For me personally,
I'm no longer using my effects processors on stage. I had a lot of fun
with them, but I think in retrospect, I was sort of disconnecting myself
from the crowd. Plus I would always get these disgusted looks from
the soundmen at our gigs. I'm much more comfortable without them and I
feel like you can hear more of the tone in my voice because of
it. Without sounding like Levelnine or Drop Shadow, the music is still
very much us. It all came together really nicely. There's a bit less
noise and more of a straight forward Rock vibe. We're all really having
a great time with it right now.
STEPHEN: I’m really getting into technique and
rhythm. I’ve backed away from drowning out my bass tones with mass
amounts of effects.
MARC: The drums are a little more laid back than with Levelnine,
and I’ve pieced my kit down a bit as well.
Please explain a little about the songwriting process in The
Host.
CHRIS: We have some
different approaches, but we've had decent success with recording improv
sessions and open jams and going back and trying to recreate some of the
magic moments. And sometimes it doesn't work at all, but it always
leads somewhere. We might end up 3 miles from where we started, but
we're usually happily surprised with the outcome.
TIM: We each write 100% of the songs. I know what
you’re thinking, "That is 400%" and that's a lot! It's an extremely
symbiotic creative process. Very rarely one of us will actually present
a clear planned-out idea to the group and we'll work to execute it.
You're about to release you're debut, a 5 song EP titled
"Receive".
Why the decision to release an EP instead of a full length?
MARC: It’s a little more cost effective for us right now,
and two EPs mean twice the promotional opportunity.
CHRIS: Originally, we
wanted just a three song demo to get out to fans and radio stations
and it just made sense that if we were going to go that far with it, why
not do 5 songs and release it as an EP? Then we came up with a nice
concept for two EPs that sort of go together and we ended up with
"Receive" and "Transmit". And part of the decision was working with
Chris Schmidt. As Levelnine, we had some harsh learning experiences
in different studios, and we really wanted to be sure that we were
comfortable working with Chris, and that he was going to give us what we
wanted before we jumped in hip deep with a full length album.
How was it working with Chris?
CHRIS:
Working with Chris was a great experience. He's just the nicest guy and
he brings a positive attitude that is very helpful in the studio. There
was no stress at all. There was never, "hurry up and let's go". It was
all very laid back and comfortable. Plus, he really got the music,
which made things that much easier.
TIM: Chris is the man. I think he can actually
perceive frequencies up to 44 kHz. That might be more than a dog can
hear. All you have to do is listen to any album that he has recorded to
recognize his talent. Check out CD's from the Terrors, Langus, Black
Tractor.
It's been a few years since you've been out there playing.
Do you think the local scene is any different now than it was in
the Levelnine days?
CHRIS: To be
honest, I don't know that we've had enough exposure to the scene yet to
make that call. But from the outset, it seems a little different.
There are still a lot of metal bands and punk bands and you have a
handful of bands that are pushing boundaries and trying to do something
completely different. The scene used to be pretty segregated, which I
think made it more difficult for it to grow. Now things seem to be
moving in a more positive direction. I’m seeing a lot of people trying
to organize big shows with a variety of bands. The Adjust Your Eyes
show we’re doing at the Southgate House on October 13th is a
great example of that. Over 20 bands, an art showcase and live glass
blowing. It’s a great opportunity to check out a large variety of
bands.
STEPHEN: It’s a melting pot.
TIM:
It’s a tuna melt.
MARC: It’s a hot ham and
cheese.
Who are some of your current favorite local Cincinnati bands?
CHRIS: We're
huge fans of Banderas. They're just amazing to watch on stage. Never a
dull moment. We just saw The Turnbull AC's at MPMF, and they were
really great. Noctaluca, Another Tragedy. The Terrors and Medic, who
are no longer together, but these are bands that are doing their own
thing and really excelling at it. I think that commands a lot of
respect.
STEPHEN: I just caught Noctaluca over the
weekend and was completely blown away.
MARC: Portrait of a Dream is a great local band, and I miss
Saving Ray.
For a regional rock band touring through the Midwest, what would
you say is "the" place to play in Cincinnati?
TIM: Probably Steve's Mom's house.
CHRIS: Yeah, outside
of Steve’s Mom’s… I’m not sure, but I really liked the redesign at The
Mad Frog.
STEPHEN: The Poison Room. Great venue, tons of
parking and easy access to the interstate. Oh wait… I didn’t lose any
rock points by saying good parking did I?
If you could get your band out on tour with any national act who
would it be?
TIM: Mars Volta, Muse, John Cougar Mellencamp, A
Perfect Circle.
CHRIS: Peter Gabriel,
QOTSA, and anything Ken Andrews or Jonah Matranga are working on.
STEPHEN: Dredg, Deftones, Death Cab.
MARC: Autolux, The Melvins, The Exit.
Very often, bands reach a certain level of local success but
aren't able to make it to the next level. What mistakes do you think
bands most commonly make?
TIM: Lack of touring, lack of shameless self-promotion,
lack of networking. They think they've got it in the bag, but they
don't. A homeless guy told me "Son, sometimes you think you got it in
the bag, but you don't." That has always stuck with me. But I think
he was talking about a sandwich.
CHRIS: Great
question. If we make it to the next level, I'll let you know! No, I
really have no idea. I'll always site ego as a major downfall, but I
guess it comes down to having your own style, which in most cases, comes
with time and being persistent. You know… I've been with Marc and Steve
for over 10 years, and we're very familiar and confident with each other
musically. The bands have to do their part with writing and promoting
and getting out press kits, but beyond that it seems like such a
crapshoot. It's all about enjoying what you're doing. I always look
forward to writing new music with these guys because they never let me
down. They continue to blow me away and challenge me and that's what
makes it fun for me. It's honest and it's cool and hopefully that
translates to the listener.
STEPHEN: You gotta hit the ground running and
never stop.
What goals do you guys have for the near future?
CHRIS: We're
excited to play some great shows and get some new music written in
between. But we're planning to start recording the next EP, "Transmit",
after the New Year, and then hopefully tour around next summer with both
EP's available.
Any last words for your fans?
TIM: Anyone
who stuck it out waiting for new material from the members of Levelnine
or Dropshadow, you can come out of your room now. It's safe to re-enter
the world, there is hope. I know it's probably been tough for you and
the world may have seemed bleak. We understand the hurt and the struggle
that you've gone through for the last however long. We appreciate you
waiting in solitude and shunning the world while we sorted our lives
out. We appreciate the determination it must have taken to never listen
to any other bands or to shower. We knew we could count on you!
CHRIS: Yes. THANK
YOU! Especially to everyone who made it out to Mad Frog for our first
show. Initially we wanted to just do something low key, but it ended up
being a great show and on a Wednesday night, no less. So a big thank
you to everyone who came out. It really meant a lot to us. And THANK
YOU to everyone who stuck with us. We took a long break, and there was
interest and enthusiasm the entire time. People we hadn't seen in years
were finding out that we were working on new material and contacting us
and it was really inspiring and really kept us going. It's important to
us that our fans understand how much we appreciate them, and know that
it's from the heart. |